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OrenDennis CheaneyTerms and conditions must be signed prior to applying
By signing the Application Form you are agreeing to the BACAA Terms & Conditions
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Figure Utilization in Oil -
May 26-30th 2014
This workshop addresses the complexities of putting multiple figures together to create a narrative composition
When he was a boy, Neilson Carlin wanted to be Catholic priest – a strange desire for one raised as a Protestant. However, adolescence brought the realization that his true calling was his other great love: painting. Neilson completed his undergraduate training at the University of the Arts in Philadelphia, receiving a BFA in illustration. He concluded his formal studies privately under figure painter Michael Aviano, a pupil of the legendary instructor and illustrator Frank J. Reilly. Through Aviano, Neilson traces his instructional lineage directly to the Ecole des Beaux-Arts of 19th century France. Neilson specializes in figurative and still life painting. In addition, he operates Studio Rilievo School of Classical Painting in Kennett Square, PA. Through Studio Rilievo, he is training the next generation of artists to advance the classical realist tradition.
His work has been exhibited at the Arnot Art Museum, the Arts Club of Washington, the Louise Wells Cameron Museum, The Salmagundi Club and the State Museum of Pennsylvania. In 2003, his painting “Transcendence” was awarded First Place in the Still Life category of The Artist’s Magazine’s 20th Annual National Art Competition. In 2004, his painting “Emergence” received Second Place in the Portrait category of The Artist’s Magazine’s 21st Annual National Art Competition. Both paintings were selected from over 12,000 entries nationwide. His work has been published in the Spring 2006 American Artist Drawing Magazine, Strokes of Genius: The Best of Drawing and How Did you Paint That? :100 Ways to Paint Still Life & Florals. In 2008, he was the recipient of the First Place award in the Nationwide Juried Catholic Arts Exhibition at St. Vincent College in Latrobe, PA.
After two decades in the commercial and gallery markets, a conversion to Catholicism prompted Neilson to commit his career to working for the Church. He was one of just four artists commissioned to adorn the Shrine of Our Lady of Guadalupe in La Crosse, WI. This 14-month long project culminated in the execution of four, 11’ x 4.5’ multi-figure paintings of Catholic Saints Gianna Molla, Peregrine Laziosi, Therese of Lisieux and Blessed Father Miguel Pro. Other clients include The Cathedral of the Immaculate Conception in Kansas City, MO, Our Lady of Guadalupe Roman Catholic Church in Buckingham, PA, Epiphany Roman Catholic Church in Normal, IL, and St. Rocco’s Roman Catholic Church in Avondale, PA.
Hours: 10:45-5:00pm daily
Location: BACAA Studio 345 Quarry Rd San Carlos CA 94070
Cost: $700 Early Registration October 30th, 2014
Cost: $750 Regular Registration after October 30th 2013
Partial Payments not accepted. All registration fees are non refundable and non transferable
Terms and conditions must be signed prior to applying.
Location: BACAA Studios 345 Quarry Rd. San Carlos, CA 94070
Pay now by Paypal or Credit Card
(PayPal and Credit Card payments include an additional fee)
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MontyDarren Kingsley
Taught at BACAA 2011
A few spots remaining - class filling up
October 28-Nov 8th 2013
Featured on Star Wars Visions book 2012
Students will work on one drawing/painting over the course of the workshop. We’ll begin with a long form drawing to develop the portrait to a solid structural finish using simple light and shadow shapes as well as locating landmarks throughout the head. Once this drawing is ready students will transfer it to a fine textured linen. Then begin blocking in large lights and shadows by simplifying them down to a few values, in the lights and shadows then working with a middle range of values. This will enable the student to develop paintings at a slow and methodical pace, developing each stage to a sound level before moving on to the next, Building from a structural drawing, applying values in a simplified large form manner and finally building the full form in the final layers. The focus will be on structure, anatomy, proportion, perspective, light direction, and proper understanding of edges.Darren Kingsley is a realist painter currently residing in Philadelphia, PA. His training began at The Atelier in Minneapolis, MN. In 2001 he moved to New York City to study with Nelson Shanks at the Art Students League of New York and shortly thereafter moved to Philadelphia to study at Shanks’ newly opened Studio Incamminati. His works are in many public and private collections including The Union League of Philadelphia, The Forbes Magazine Collection and Lucasfilm, Ltd. He was a recipient of the American Society of Classical Realism Scholarship. He exhibits at the John Pence Gallery in San Francisco, CA. and teaches at Studio Incamminati in Philadelphia, PA
Cost: $1100.00 Early Registration by May 30th -
Cost: $1250.00 Regular Registration after May 30, 2012 -
All tuition fees are non refundable and non transferable
Pay by PayPal or Credit Card
(PayPal and Credit Card payments include extra fee)
Partial Payments not accepted. All registration fees are non refundable and non transferable
Terms and conditions must be signed prior to applying
Follow PayPal instruction all the way through for credit card
Darren Kingsley Registration Form (PDF)
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October 21-25, 2013
This 5–day intensive workshop is an introduction to linear perspective and will cover the essentials of perspective: including one–, two– and three–point perspective; and circles in perspective. Exercises include projecting a skull in two–point perspective, still life, and portrait drawing. The principles presented in this workshop provide a means from which the artist may improve independently in other classes or in his or her own work. Classes are limited to 12 students.
Patrick Connors is a 1980 graduate of the Pennsylvania Academy of the Fine Arts, Certificate Program. There, he studied primarily under Arthur DeCosta and was awarded the Perspective Prize. In 1982 he graduated from the University of Pennsylvania.
Cost: $700 Early registration by June 30, 2013
Cost: $750 regular registration after June 30, 2013
Partial Payments not accepted. All registration fees are non refundable and non transferable
Terms and conditions must be signed prior to applying
Pay now by PayPal or Credit Card:
(Paypal and Credit Card payments include additional fees)
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Anna Wakitsch Sept 30-Oct 11, 2013
Jewel-like Color for the Portrait and Figure in Oil
Course Discription
The focus of this two-week painting class is the poster study: a beautiful little tool for increasing awareness and sensitivity to the subtle interactions of light, color and vision. During the first week, Anna will discuss key color concepts while demonstrating from the model each morning. Each day after the demo, students will have painting time from the model as they are guided through a series of color study exercises. These will start out quite abstract, and increase in detail as the workshop progresses. In the second week of the workshop, Anna will demonstrate how to further expand the tecnniques of the poster study to create a small, jewel-like oil painting with sparkling facets of light and color. Students will work on one long pose that continues throughout the week. Some of the topics covered will be: the vocabulary to precisely describe and adjust color; averaging and optical mixing; how the eye and brain manipulate color information; field effects and scattered light; light on form and how to mix shading progressions; how the visual system is tuned to subtle color fluctuations in skin, and how this can help us mix luminous skintones.
Bio:
Anna Wakitsch received her B.A. in Art Theory and Practice from Northwestern University. In 2004, she began studying painting and drawing with artist Anthony Ryder, and in 2006 moved to Santa Fe, New Mexico. Later that year she began working as Mr. Ryder’s teaching assistant at Andreeva Portrait Academy. She then served as assistant instructor in painting and drawing at The Ryder Studio from its opening in 2007 until she returned to the Chicago area in 2011. Anna currently exhibits at Haynes Galleries in Thomaston, Maine.
COST:
Early Registration $860.00 Due by April 30, 2013
Regular Registration $1010.00 After April 30, 2013
Pay now by Credit Card or Paypal
Anna Wakitsch Registration (PDF)
Partial Payments not accepted. All registration fees are non refundable and non transferable
Terms and conditions must be signed prior to applying
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10 Day Intensive Figure Painting Workshop
his is a Brief description of my two week workshop format,This workshop will focus on the fundamental principles essential to achieve a convincing three-dimensional representation of the human figure in oils.
These principles will be analyzed in a logical sequence beginning with gesture and continuing through to the study of color and its effect on the figure and its environment. Focus will be on prioritizing the information unique to each stage and establishing a cohesive balance between the use of abstract movements and shapes with structure and anatomy. The workshop will be highlighted with demonstrations of these methods and concepts accompanied by question and answer sessions. The format of this workshop will accommodate students of all levels.
This is a little different from the drawing/ painting format. The first week consists of repetitive exercises designed to extract specific information from the live model necessary to strengthen the early foundational stages of the painting. The first four days will focus on short studies including the methods of grisaille, and color study. Then one figure pose will be set for the remaining 6 days, Students will begin the long pose by problem solving with preparatory studies and begin to “block in” a painting with value and color. The long pose will offer the opportunity to further develop a painting utilizing the concepts studied.
Example of first two days:
Stephen Early registration form (PDF)
Cost: $1100 Early registration by June 30, 2013
Cost: $1250 Regular registration after June 30, 2013
Partial Payments not accepted. All registration fees are non refundable and non transferable
Terms and conditions must be signed prior to applying
Pay now by PayPal or Credit Card:
(Paypal and Credit Card payments include additional fees)
5 Day Inensive Course in Portrait Painting
A few spots remaining
Purpose of Course:
The focus of this class is to develop a thinking eye through the selective pursuit of form and color. Painting from life affords the opportunity for selectivity through the observation of changes that develop from moment to moment. Students must be aware of the variety of subtle changes observed in class, from the slightest shift of the model’s pose, to a change of color and tone due to a reflected light. All the variety of changes that occur informs a painting and becomes in some way a remnant of that experience. The process in representing those experiences as a unified whole is the challenge of painting. Student’s perceptual skills are conceptual concerns that give meaning and allow expressive direction to painting.
Student Learning Outcomes
Understanding drawing, tone, value and color with a unified direct application of paint is stressed. Simplification of forms and the gradual development of the parts in context with the whole are produced through the observation of light and shadow and warm and cool colors.
Topics to be Covered
This class will pursue direct painting from the model over a sustained period of time . Students are to develop rapid immediate starts establishing the whole at once. Understanding how to develop an initial structure that’s flexible to change and development are stressed.
Students will gain an understanding of materials and basic craftsmanship from establishing ground supports to a variety of techniques in oil paint using fatty over lean principles.
Cost: $1090 Early registration by March 30, 2013
Cost: $1150 regular registration after March 30, 2013
Partial Payments not accepted. All registration fees are non refundable and non transferable
Terms and conditions must be signed prior to applying
Pay now by PayPal or Credit Card:
(Paypal and Credit Card payments include additional fees)
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Portrait Drawing & Painting
August 5-10, 2013
6-Day Portrait Drawing & Painting
An intensive 6 day workshop will focus on foundational concepts in drawing and painting the portrait, including flat shape block- in, three dimensional, conceptualization of forms, structural anatomy, perspective, and the nature of light as it carves out volumes. Students will work on a single drawing and painting for the duration of the week, with a combination of individual critiques and instructor demonstrations. Students will push their drawings to the highest level of resolve, allotting time at the beginning of the workshop to construct a solid foundation and later giving form to the subtle distinctions that make the subject unique. Methods for toning paper and working on toned paper will also be explored.
Cost:Early Registration $750 Due Aril 30, 2013
Regular Registration $850 , After April, 2013
To insure you have a space reserved complete registration April 30, 2013
Ted Minoff Registration form (PDF)
Pay now by Credit Card or PayPal:
(Paypal and credit Card payments include additional fee)
Partial Payments not accepted. All registration fees are non refundable and non transferable
Terms and conditions must be signed prior to applying.
Evelyn wrote: “Amazing workshop with Ted Minoff at BACAA. Thanks Linda Dulaney!”
Lucy wrote:”That was a Wonderful Workshop. You made us all feel so welcome. The perfect enviroment, full of creative energy……..Much love Lucy”
Ryan Wurmser Weekend Workshops.
September 14/15, 2013
This 2-day figurative workshop offers dedicated students an opportunity to further develop their skills in painting and drawing from life. Students will benefit from critiques that are custom-tailored to their own creative pursuits. They will delve more deeply into their own practice with the added benefit of critical feedback. The dialectic will be centered on traditional practice in the life class and subjective concerns in regards to methodology and aesthetics. There will be a 12-hour pose over two days. Students may wish to do a long drawing or all prima painting or perhaps split the time evenly between drawing and painting. This is a teaching model that I have used often and I find highly effective and rewarding
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Tom Poynor
Portrait Painting of the Head and Shoulder, Alla Prima
Saturday September 21 & Sunday 22, 2013
2 Day Portrait Painting Workshop
Time: 10:00 – 5:00
Level: All levels
Medium: Oil Painting
Course Description
This 2-day workshop explores a traditional method for painting a head and shoulders portrait working directly from the subject. Each day will begin with a brief lecture and painting demonstration, followed by participants painting from the live model. The focus of this workshop is to help students develop an understanding of head structure and the elements that go into creating a likeness while seeing and painting the subject in sequence. Participants will be able to simplify the painting process by learning how to examine and translate observations of the light on the subject surrounded by atmosphere. Topics such as color relationships, value structure and learning how to select from the subject will also be covered. We will explore a variety of supports, brushes, and materials. PowerPoint presentations, group discussion, and individual critiques and instruction will be included.
Contact:
Contact:
Info@bacaa.org650-832-1544
Location BACAA Studios345 Quarry Rd, San Carlos CA. 94070
Cost: $450
Please check the BACAA About US page for local accomodations and affordable housing.
Terms and conditions must be signed prior to applying
By signing the Application Form you are agreeing to the BACAA Terms & Condition
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Master Instructor Gundula Jacobs from France
Workshop # 2
10 Day Landscape Painting in the Beautiful Loire Valley June 2014.
Join us for this rare and wonderful opportunity to paint Still Life and Flowers in our beautiful studio at BACAA. Learn to create beautiful paintings using solid methods with master painter and instructor Gundula Jacobs. Gundula has been a life long artist who’s work conveys exquisite beauty of the natural forms.
Course description.
We work in oils. The style is contemporary realism, entirely based on observation without using preconceived ideas or formula painting. We work a la prima, Italian, meaning to the first , a traditional technique that paints the desired effect almost entirely in fresh paint without applying a succession of layers (glazing). Even if we see everything we don’t notice many things therefore learning how to paint means learning to perceive and interpret the subject. For example it is important to find the relationships between the painted tonalities, that is colored values. A special exercise will enable the student to find them and to fine-tune his or her color perception. Besides training of perception the painter will learn technical skills, methods how to actually paint what he or she perceives. That includes the proper use of brushes to make roundness, treat edges, to obtain an illusion of atmosphere. After all, we paint light diffusion on a subject rather than things. We will also explore the action of light and examine structure and its importance for realistic painting. A weekly one or half day session to study flower painting. A special challenge, because flowers are living things that unite many drawing and painting problems.
The students choose a still life to work from among 3 setups, offering different themes and types of textures to study. Glass, metal, wood, pottery, fruit etc. One of the still life will include drapery, which is an excellent subject to study light on form, structure, movement, the same problems we encounter in working from the live model. Daily syllabus will be given to students.
Gundula Jacobs is a highly experienced artist, born in Germany in 1959. She emigrated to San Francisco, USA, in 1978. In 1990 she moved to France and permanently established herself in the beautiful region of the Loire Valley, Her classical, however contemporary still life as well as typically French landscape paintings are inspired by seasonal changes and the beauty of the rural Loire environment. Art Studies 1986-1987 San Jose State University, CA 1987 Margaret Leighton Studio, San Francisco 1987-1988 New York Academy of Art 1988-1991 Art Student’s League of New York 1991-1995 Ecole Albert Defois, with Ted Seth Jacobs Exhibitions 996 Magidson Gallery, New York 2000 Cultural Center, Palace of UNESCO, Beirut, Lebanon 2001 Hôtel Intercontinental, Genève, Suisse 2002 Galerie D’Outre Maine, Angers, France 2002 Péristyle Molière du Théâtre, Saumur 2002 Salon de Trélazé, first prize 2002 Salle des Arts, Doué-La-Fontaine 2003 Hôtel de Ville, Cholet 2003 Hôtel des Vins, La Godeline, Angers 2003 Brigham Gallery, Nantucket, USA 2003 Château des Carmes, La Flèche 2008 Salon de Challain-La-Potherie, first prize 2008 Quidley & Co. Gallery, Boston, USA 2009 Chapelle des Cordeliers, Parthenay 2010 Château de Maupassant, Vihiers 2011, Les Halles, Beaufort -En-Vallée 2012 Galerie des Arcades, Bressuire Since 2004 Gundula Jacobs exhibits regularly in her Anjou region (Loire Valley). Her work is represented in private collections in France, Germany, Holland, Switzerland, Austria, England, Ireland as well as Canada, USA and Mexico.
March 10- 28, 2014 10:45-5:00pm
Cost: $1950 - Early registration by June 30th 2013
Cost: $2100 -Regular registration after June 30th, 2013 Skill Level: Beginner - Advanced
Location: BACAA Studios 345 Quarry Rd. San Carlos, CA 94070
Pay now by Paypal or Credit Card
Parial Payments not accepted. All registration fees are non refundable and non transferable.
Contact:
Info@bacaa.org
650 832-1544
Juliette Aristides
August 19-30, 2013
A few spots remaining
Taught at BACAA 2007, 2008, 2010, 2011, 2x 2012
Build your artistic vocabulary as you work sequentially to complete one finished figure painting. In a methodical, step-bystep process, learn the methods of oil painting from the initial color sketch to the final glaze. Over the course days we will dive into painting related issue while exploring the artists most fascinating subject matter- the human figure. You develop a preliminary drawing to ensure accuracy and likeness, create a monochromatic or color study to analyze shape, tone and composition and transfer your drawing to canvas o panel as you execute your painting in full color. Lectures and individual instruction aid your artistic progress. This workshop provides you with the necessary tools to bolster your artistic confidence. Much of the personal growth of the artist comes from having the right tools for self-correction and problem solving. With that in mind throughout the class, you participate in discussion on materials, methods and techniques to equip you with every possible tool for your future artistic growth. Beginners through advanced students are welcome. You are met at whatever your skill level. Please check the BACAA About US page for local accommodations and affordable housing.
For Materials list
Cost:$2450 Regular registration 4 weeks
Cost: $1225 Juliette Aristides only (10 days)
Recieve additional discounts: 5% for 2, 10% for 3 month long sessions
Contact Linda@bacaa.org
All tuition fees are non refundable and non transferable
Registration form/Terms and conditions must be signed prior to attendance
Pay now by PayPal or Credit Card
Limit 17 students
Terms and conditions must be signed prior to attending
3 Month Program Registration (PDF)
See Juliette’s Art on your iPhone
Testemonials:
“I really had a wonderful time in Juliette’s class and it was great to see you again Linda!” Dr. Gallegher.
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Dear Linda,
A big overduee and sincere thank you for facilitating that wonderful summer course I took with Michael Grimaldi and Juliette Aristides. I was challenged and inspired and came away with the tools that have taken my art to a new level. Thank you so much! Ann
To Juliette from workshop students~
Finally a moment to sit down and write you a huge thank you for the fabulous workshop. I knew it would kick my butt technically but I had no idea that it would also be so affirming of the why of Art making. I loved all our discussions and your ideas.
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GildaJon DeMartin
August 5-16, 2013
Open spots
Taught at BACAA 07, 08, 09, 11,12
Drawing is the foundation of all successful representational life painting. The goal of this workshop is to lay a foundation and clear methodology for both drawing and painting the human figure from life. The four-week intensive workshop will be dedicated to a thorough program of life drawing and painting from the human figure. One week will be devoted to the head (and its features); and one week to the figure as a preparation subsequent two-week life figure painting. There will be lectures and demonstrations for each morning session to review clear objectives that will be set forth during the day. As drawing exercises, we will analyze the head and figures gesture, proportion, shape, and structure, for the successful outcome of modeling form. Several sessions will be dedicated to short poses. This is to reinforce the importance of gaining more control of our drawing by learning to not only draw what we see, but to draw what we know.
In the figure Painting aspect of the workshop we will begin by studying basic color theory by reviewing the color wheel and how it applies to the human figure. A palette will then be set up to give the student a solid basis for their color mixing. Lectures and demonstrations will be given on light, form, color, direct and indirect painting. The students will transfer (or refer to) the life drawing study from the second week as a basis for their subsequent life painting. This will maximize their ability to concentrate on the modeling of form through hue, value and chroma.
Please check the BACAA About US page for local accomodations and affordable housing.
For Materials list
Contact Linda@bacaa.org
Aug , 2013 - 1 month summer program
This is the second month in the BACAA 4 Month Master Program
Cost: $2450 Regular registration 4 weeks
Cost: $1225 Jon deMartin only (10 days)
Recieve additional discounts: 5% for 2, 10% for 3 month long sessions
Pay now by PayPal or credit card.
Portfolio Required
Limit 17 students
Partial Payments not accepted. All registration fees are non refundable and non transferable
Terms and conditions must be signed prior to applying
3 Month Program Registration (PDF)
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Victoria
Featured on Star Wars Visions book 2010
Testemonials
“That was such a great workshop with Jon. I loved it. Thank you for inviting him to Bacaa. He is such an amazing teacher. “Wendy Johnson.
“I thoroughly enjoyed Jon’s workshop. I learned a lot, met interesting people, got to spend enough time focused on drawing to make good progress and have exercises to practice that will make the week all the more valuable. All and all a great experience.
Many people have visionary ideas. Few do anything about them. Only a few of the few make their ideas happen. Your vision of gathering together artists and students to pass the knowledge and traditions along came alive last week. I congratulate you for putting it all together and making it work so well.
My thanks and best wishes,
Joe Gurkoff”
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Stephen Perkins
Only a few spots remaining
Figure and Portrait Structure in Clay~
July 22-Aug 2nd, 2013
Working in clay from instructor demonstrations and life models, students will proceed with a thorough and systematic examination of the form of the human body.
A separate study will be made of the portrait head , hands and feet. We will work from start to finish in the manner that you would model these forms in sculpture but the difference will be that we will take it slow and analyze each step in depth, what exactly the form is and how it relates to the larger unit.
Working in a hierarchical manner the class will proceed from large masses, through the middle stages of modeling to the smaller forms and on to the detail stage. We will work on a full figure at about half life size, a head study at life size, a hand and a foot both at life size, possibly an arm as well.
This class is not so much focused on the production of a work but on the obtainment of understanding with which one can produce many works. We are not so much focused on individual models or portrait heads as we are in what all human heads and figures have in common. Human form follows an essential pattern locked in our DNA and we are all identical in this patterning of the forms.
If you learn the forms that make up a human nose or ear then you will understand all noses and ears. Just as we are all identical in the patterning of our forms, we are all completely unique. That uniqueness comes in our proportions. Individual models will vary, we all vary. Here , we are interested in learning a kind of mental map of the forms that are common to all humans. It used to be said that each artist had a “secret figure” in his or her mind. That was no more than their combined understanding of the forms and mechanisms of the human body.
With that understanding, one can understand more of what they see. We create art not so much with our eyes as with our brains. This class aims to increase the understanding of forms of the body.
Subjects covered will be the large masses and their rhythmic relationships, the movement of those masses to create the specific gesture, plane structure, geometric blocking and wedging of forms, volume, the hierarchical breakdown of forms from large to small, the emotional expression of the figure, facial expression and other topics. In depth anatomy in the forms of ecorche will not be covered. That is another topic for another day. We will cover anatomy to some extent but this class looks more at the forms of the body as they appear before us
1 month Master Summer Program
Sculpting Materials $175 payment due 2 weeks prior to start of class.
Portfolio Required
Please send us an email to be put on a waiting list.
Cost: $2450 Regular Registration 4 weeks
Cost: $1225 for Stephen Perkins only (10 Days)
Recieve additional discounts: 10 % for 2 sessions, 15% for attending 3 month long sessions
Pay now by PayPal or Credit Card
All tuition fees are non refundable and non transferable
Please check the BACAA About US page for local accomodations and affordable housing.
Partial Payments not accepted. All registration fees are non refundable and non transferable
Terms and conditions must be signed prior to attending
Michael Grimaldi And Stephen Perkins teaming up for this dynamic Duo to teach July summer intensive 2013
1 month Master Summer Program
July, 2013
July 8-19th, 2013
10 Day Structure and Anatomy Drawing & Painting
To register for July summer program scroll below.
Cost: $2450 Regular registration 4 weeks
Cost: $1225 Michael Grimaldi only (10 Days)
1 month Master Summer Program
Portfolio Required
Limit 17 students. This is the second month of the BACAA 3 month Master Program
Recieve additional discounts: 5% 2 sessions 10 % attending 3 month long sessions
Partial Payments not accepted. All registration fees are non refundable and non transferable
Pay via paypal includeds paypal fees.
Please check the BACAA About US page for local accomodations and affordable housing.
Partial Payments are not accepted
Terms and conditions must be signed prior to attending
Fees are non refundable and non transferable.
3 Month Program Registration (PDF)
Michael Grimaldi’s website: http://www.michaelgrimaldi.net/
Featured in Star Wars Art: Visions
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Self Portrait in oilTravis Schlaht June 17-28, 2013Only 1 spot remaining
Over a two-week period participants will have the opportunity to draw and paint from a single portrait pose. We will begin with a drawing, which will cover concepts such as the block-in and basic construction so as to address proportional issues within the figure.
At this time the group will also be introduce to the basic ideas of modeling through the concept of form.
The resulting drawing will then be transferred to linen for painting. In the painting process participants will apply their understanding of values as it relates to the forms on the figure. Everyone is encouraged to work with an open pallet, full color, as is the individual’s comfort level.
Throughout the workshop there will be instructional demonstrations, however, the primary mode of a teaching will be done by direct interaction between the instructor and each individual participant
Please check the BACAA About US page for local accomodations and affordable housing.
For Materials list Contact Linda@bacaa.org
Please check the BACAA About US page for local accomodations and affordable housing.
Partial Payments not accepted. All registration fees are non refundable and non transferable
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Dan Thompson June 3-14, 2013
Closed
Taught at BACAA
07,08,09,10,11,12
Purpose of the Course:
Terms and conditions must be signed prior to applying
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Workshop at BACAA & Medical University
5-Day Advanced Artistic Anatomy Intensive
December 2-6, 2013
10-Day Advanced Artistic Anatomy Intenesive
January 27-Feb 7, 2014
A few spots remaining-Both workshops are filling up.
Michael Grimaldi - Instructor
Dan Thompson- Instructor
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Study with 5 Masters-Unique Intensive Program offered no where else but at BACAA
Summer Intensive Master Program
Only a few spots remaining in each program
Intensive Course in Long Pose Drawing, Painting, Structure, Anatomy and ecorche.
June 17– August 29, 2013
10:45 a.m.-5:00 p.m
Chose One of all any month or individual workshops.
This program offers unparalled opportunity for students to have the instructors teaching every day.
This program will educate you in the techniques of the old masters. You will learn, anatomy structure, drawing painting, color. Sessions will include lecture demos, focused individual time with the instructors.
In addition you will have the opportunity to work from museum master copies and sculptures.
Most importantly you will enjoy the collaboratation and the community of like-minded artists.
This program is open for Adults to build an impressive portfolio
Specify which Workshop
Cost:$2450 Regular registration 1 month
Cost: $1225 for 10 days
Receive additional discounts: 5% for 2, 10% for 3 session only for month long programs
Pay now by PayPal or Credit Card
(PayPal & Credit Card payments include PayPal fees)
Partial Payments not accepted. All registration fees are non refundable and non transferable
Choose individual 10 day Workshops
Specify which Workshop
3 Month Program Registration (PDF)
Contact:
Info@bacaa.org
650-832-1544
Location BACAA Studios
345 Quarry Rd, San Carlos CA. 94070
Testemonials
“Thank you for all you do to help so many of us! Best,” Shyrl
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